L: Do you think of your music in any way as experimental, or is it something in itself?
MF: No, I don’t think of my music as experimental: I think of Beethoven as experimental, because he was really looking for something; he was looking to break the Bechstein because it didn’t have enough tone; I am not looking for anything.
L: Aren’t you looking for new sounds?
MF: No, not particularly.
An Interview with Morton Feldman
by Jolyon Laycock and David Charlton
MF: No, I don’t think of my music as experimental: I think of Beethoven as experimental, because he was really looking for something; he was looking to break the Bechstein because it didn’t have enough tone; I am not looking for anything.
L: Aren’t you looking for new sounds?
MF: No, not particularly.
An Interview with Morton Feldman
by Jolyon Laycock and David Charlton
1 Comments:
At Terça-feira, 14 Junho, 2005, paulo Mesquita said...
Depois deste post,e no seguimento deum outro, resolvi ir buscar umas partit. de Cage e de Feldman, para fazer uma pausa.
Começo pelo «In a Landscape», agora na versão de duas mãos, passo pelo «Dream» e acabo no «Piano» de Feldman.
Quando estou na pág.16-20 há ali uns tri FFF, alternando com uns 3 ppp, que porventura não rebentarão o Bechstein, mas poderão desafinar um pouco o Yamaha. Peça difícil de aguentar/manter aquele ambiente.
Sem comentários:
Enviar um comentário